Ali Hunter

Ali (she/her) is an award-winning Lighting Designer working across dance, theatre and opera. She trained at RADA and was the Young Associate Lighting Designer for Matthew Bourne’s Romeo and Juliet. Ali won the inaugural Profile Award for Outstanding Achievement in Theatre for Red Pitch.

Recent credits include:

Theatre: Wolves on Road (The Bush), How I Learned to Swim (Paines Plough Roundabout, Brixton House, Bristol Old Vic), Autumn (Park Theatre), Red Pitch (@sohoplace), The Bleeding Tree (Southwark Playhouse), Last Rites (Ad Infinitum, National Tour), Meetings (Orange Tree Theatre), Protest (Northern Stage, Fuel, National Theatre of Scotland), If You Fall (Ad Infinitum, Bristol Old Vic), Titus Andronicus (Shakespeare’s Globe), One off (Live Theatre), Beautiful Evil Things (Ad Infinitum, National Tour), The Wizard of Oz, Notes from a Small Island, Othello and Brief Encounter (The Watermill), Samskara (The Yard Theatre), Orlando, For Services Rendered and The Marriage of Alice B Toklas and Gertrude Stein (Jermyn Street Theatre), Small Change (Both Barrels and Clapham Omnibus), Sugar (Open Clasp, BBC iPlayer), Don’t Forget the Birds and Rattlesnake (Open Clasp at Live Theatre)

Dance: You are Also Us (Cathy Waller Company), La Na (The Next Generation), Roots (Wency Lam), Dvihina (Shyam Dattani), Happyendingfication (Yami Löfvenberg), Crabs in a Barrel (Jamaal O’Driscoll), Inscribed in ‘Me’ (Alethia Antonia), Happy Fathers’ Day (Dani Harris-Walters).